Thanks Google (I think).

The higher the #hair, the closer to God, amiright?

gameraboy:

Know the Real Joy of Good Living — 1960 by ElectroSpark on Flickr.
Sunshine Festival Parade, 1960.
gameraboy:

Know the Real Joy of Good Living — 1960 by ElectroSpark on Flickr.
Sunshine Festival Parade, 1960.
gameraboy:

Know the Real Joy of Good Living — 1960 by ElectroSpark on Flickr.
Sunshine Festival Parade, 1960.
gameraboy:

Know the Real Joy of Good Living — 1960 by ElectroSpark on Flickr.
Sunshine Festival Parade, 1960.
gameraboy:

Know the Real Joy of Good Living — 1960 by ElectroSpark on Flickr.
Sunshine Festival Parade, 1960.

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

For some of their films, Disney would film real actors so that the animators could watch them for reference. 

(via superwholock-is-my-hell)


True Romance (1993) Dir. Tony Scott

Would you like to go get some pie with me? 
True Romance (1993) Dir. Tony Scott

Would you like to go get some pie with me? 
True Romance (1993) Dir. Tony Scott

Would you like to go get some pie with me? 
True Romance (1993) Dir. Tony Scott

Would you like to go get some pie with me?

True Romance (1993) Dir. Tony Scott

Would you like to go get some pie with me?

(via oldfilmsflicker)

filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács
filmbytheframe:

Five Easy Pieces, 1970
Director - Bob RafelsonCinematography - László Kovács

filmbytheframe:

Five Easy Pieces, 1970

Director - Bob Rafelson
Cinematography - László Kovács

(via oldfilmsflicker)

littlehorrorshop:

Ruby Keeler, Aline MacMahon and Joan Blondell don’t want to get out of bed and face the depression in Gold Diggers of 1933
littlehorrorshop:

Ruby Keeler, Aline MacMahon and Joan Blondell don’t want to get out of bed and face the depression in Gold Diggers of 1933
littlehorrorshop:

Ruby Keeler, Aline MacMahon and Joan Blondell don’t want to get out of bed and face the depression in Gold Diggers of 1933
littlehorrorshop:

Ruby Keeler, Aline MacMahon and Joan Blondell don’t want to get out of bed and face the depression in Gold Diggers of 1933

littlehorrorshop:

Ruby Keeler, Aline MacMahon and Joan Blondell don’t want to get out of bed and face the depression in Gold Diggers of 1933

(via oldfilmsflicker)

post-impressionisms:

“They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.” — Frida Kahlo
post-impressionisms:

“They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.” — Frida Kahlo
post-impressionisms:

“They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.” — Frida Kahlo
post-impressionisms:

“They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.” — Frida Kahlo

post-impressionisms:

“They are so damn ‘intellectual’ and rotten that I can’t stand them anymore….I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those ‘artistic’ bitches of Paris.” — Frida Kahlo

(via queerfabulousmermaid)